Get a free Pro Tools Ultimate perpetual license with the purchase of this interface.
From August 1 through December 31, 2025, purchase an MTRX or MTRX Studio and receive a Pro Tools Ultimate perpetual license upon activating your interface via your Avid Account (€1,499 value). The Pro Tools Ultimate perpetual license will be placed under the “Products Not Yet Downloaded” section, giving you the option of when you want to redeem the entitlement.
Customers who have activated an MTRX family interface since July 1, 2025 will retroactively have a Pro Tools Ultimate perpetual license automatically added to their “Products Not Yet Downloaded” as well.
Gain total command of your audio workflow
Take on the largest music and audio productions with a powerful studio centrepiece that offers exceptional sound quality. Designed for Pro Tools | HDX and other DAWs, Pro Tools | MTRX II builds on the versatility of its predecessor, offering greater I/O, routing, and monitoring flexibility. Streamline your studio with a single interface that enables you to replace multiple devices, connect anything to everything, and tune any room in your facility to get the best sound possible.
Pro Tools | MTRX II at a glance
- Streamline your studio—Get 64 channels of built-in DigiLink I/O, 256 Dante channels, and 64 MADI channels, plus eight option card slots and a Thunderbolt 3 option slot in a single interface
- Get unparalleled sound clarity—Capture and output audio without any coloration—exactly as the sources sound—with impeccably clean, transparent, and highly detailed AD/DA conversion
- Monitor audio in more ways—Gain flexibility with integrated SPQ Speaker Processing, DADman Pro | Mon monitor control, and a 512 x 64 summing mixer for full Dolby Atmos theatrical monitoring
- Feed any input to any output—Route, split, and patch audio across multiple devices and rooms in your facility with the massive 4,096 x 4,096 matrix router
- Expand your workflow—Work with multiple DAWs, connect to Pro Tools | HDX and/or a Mac or PC, route audio over IP with Dante, and add and reconfigure I/O as needed, enabling new creative possibilities
Pro Tools MTRX II For Music Production
Streamline your studio with the I/O you need
Pro Tools | MTRX II not only comes with 64 channels of built-in DigiLink I/O, 256 channels of Dante, and 64 channels of MADI, it’s fully modular to accommodate any artist, band, or ensemble. Configure its eight card slots with all the I/O you need—the same option cards as MTRX, plus a new Thunderbolt™ 3 option—replacing multiple I/O, routing, and monitor control interfaces. Even connect multiple HDX systems and DAWs together with a single interface.
Add up to eight options to support any artist, ensemble, or workflow
Get all the analog I/O and digital connectivity you need with a choice of these option cards and modules you can mix and match together:
- Add eight analog inputs and mic preamps with the 8 Mic/Line Pristine AD Card (with relay-based gain circuits)—supports up to 64 mic/line inputs in a single MTRX II with the full accompaniment of eight 8 Mic/Line AD option cards
- Add two analog inputs and mic preamps with the 2 Mic/Line Pristine AD Card (a great low-cost option for talkback and tracking)
- Add eight channels of line-level analog inputs with the 8 Line Pristine AD Card
- Add eight channels of line-level analog outputs with the 8 Pristine DA Card
- Connect directly to a Mac or PC with the Thunderbolt™ 3 Module, which enables 256 channels of native low-latency I/O to Pro Tools and other DAWs
- Add 64 more channels of DigiLink I/O (per card) with the DigiLink I/O Card—supports up to 576 DigiLink channels in a single MTRX II with the full accompaniment of eight DigiLink option cards
- Add 128 more channels of Dante (per card) with the 128-Channel IP Audio Dante Card, which provides sample rate conversion—supports up to 1,280 Dante channels in a single MTRX II with the full accompaniment of eight Dante option cards
- Add 128 more channels of MADI (per card) with the Dual MADI I/O Card—supports up to 1,088 MADI channels in a single MTRX II with the full accompaniment of eight MADI option cards
- And more — see what else is available to customise MTRX II for your own unique workflows
Connect to any Dante network
With 256 integrated Dante channels, you can connect your Pro Tools | HDX system to any Dante network—the industry’s preferred audio-over-IP solution. Not only is Ethernet economical—especially where long cable runs are required—it allows for a more versatile workflow that leverages your facility’s Ethernet infrastructure to route audio between multiple rooms and devices.
Send and receive multiple channels of audio over Dante
- Configure a single MTRX II with up to 1,280 Dante audio channels to distribute audio over IP
- Easily integrate Dante-enabled devices into your workflow—no matter the manufacturer
- Set up and route cue mixes to Dante-enabled headphone amps for convenient personal monitoring
- Route audio to and from any connected Dante device in your studio with the flexible digital patchbay using the included DADman software
Get unparalleled sound quality and clarity
Building on the MTRX legacy, MTRX II delivers the cleanest, most transparent, and highly detailed AD and DA conversion of any audio interface. This enables you to capture vocals and acoustic instruments without any coloring—exactly as the sources sound—and then monitor your music mix in all its sonic glory through some of the highest quality audio converters in the industry.
Record and mix music in the best sound quality possible
- Achieve impeccable sound transparency with AD/DA converters that support sample rates up to 384 kHz PCM and DSD
- Capture pristine-quality sound through ultra-low-noise mic preamps, high-precision clock circuitry, and low jitter
- Hear every sonic nuance of your music with 128 dB of dynamic range and less than -120 dB harmonic distortion
- Calibrate and fine-tune your room for optimal monitoring—no matter the format—with built-in SPQ Speaker Processing
Get expanded DAW and Dolby workflows
With the Thunderbolt 3 option, MTRX II can function as a native Pro Tools or other DAW system, enabling up to 256 channels of low-latency I/O to your Mac or PC. Used in conjunction with DigiLink, you can route audio between Pro Tools and other DAWs and applications, opening up new music creation possibilities. And for Pro Tools | HDX users mixing Dolby Atmos music, it enables you to route audio to the Dolby Atmos Renderer while maintaining full use of your DSP cores.
Monitor and route audio in more ways
With its configurable I/O, integrated SPQ Speaker Processing, DADman Pro | Mon for monitor calibration, EUCON-enabled remote control, and the expanded 512 x 64 summing mixer, MTRX II will satisfy all of your monitoring, talkback, and cue mixing needs. And with the increased 4,096 x 4,096 matrix mixer, you can feed any input to any output—or even send audio to multiple outputs simultaneously—giving you nearly unlimited flexibility and connectivity options.
Get extensive monitoring and routing flexibility
- Calibrate your speakers to compensate for their acoustic response in any room, with up to 16 filters per monitor channel
- 1024 filters across 64 channels for room correction, each with adjustable delay and filters, from stereo to multi-stem Dolby Atmos summing
- Take remote control of sources, monitoring, talkback, summing, and fold-down from Avid S6 and other EUCON-enabled control surfaces
- Connect anything to everything with the massive 4,096 x 4,096 matrix router
- Route, split, and patch audio quickly and extensively using the included DADman software
Pro Tools MTRX II For Post Production
Pro Tools | MTRX II not only comes with 64 channels of built-in DigiLink I/O, 256 channels of Dante, and 64 channels of MADI, it’s fully modular to accommodate any ADR, Foley, sound design, re-recording, or mixing session. Configure its eight card slots with all the I/O you need—the same option cards as MTRX, plus a new Thunderbolt™ 3 option—replacing multiple I/O, routing, and monitor control interfaces. Route any signal between the various I/O formats. And connect multiple HDX systems and DAWs together with a single interface.
Get extensive audio routing flexibility
To handle the variety of workflows, gear, formats, and environments post production commands, Pro Tools | MTRX II is the ultimate audio command centre. Route, split, and patch audio quickly and extensively using DADman software, with an increased matrix capacity of up to 4,096 x 4,096 cross points. Feed any input to any output, or even send audio to multiple outputs simultaneously, giving you nearly unlimited flexibility and connectivity options.
Streamline your Dolby Atmos workflow
In conjunction with Pro Tools Ultimate and Pro Tools | HDX, Pro Tools | MTRX II delivers the most comprehensive end-to-end solution for immersive audio, streamlining the entire workflow with less hardware, less complication, and lower costs. Its 512 x 64 summing mixer accommodates a full theatrical Dolby Atmos configuration. Add one or more DigiLink I/O Cards and you can connect a multi-card HDX system—or even a multi-workstation system—to a single MTRX interface. And with the Thunderbolt 3 option, you can route audio to the Dolby Atmos Renderer while maintaining full HDX DSP power.
Connect to any Dante network
With 256 integrated Dante channels, you can connect your Pro Tools | HDX system to any Dante network—the industry’s preferred audio-over-IP solution. Not only is Ethernet economical—especially where long cable runs are required—it allows for a more versatile workflow that leverages your facility’s Ethernet infrastructure to route audio between multiple rooms and devices.
Get unparalleled sound quality and clarity
Building on the MTRX legacy, MTRX II delivers the cleanest, most transparent, and highly detailed AD and DA conversion of any audio interface. This enables you to record ultra-high-quality voiceovers, ADR, and Foley in the studio, as well as capture audio on location, and then monitor your soundtrack mix in all its sonic glory through some of the highest quality audio converters in the industry.
Take control of MTRX II with EUCON
With the included DADman software, you can remotely control all sources and monitoring directly from Pro Tools Ultimate, Avid S6, and other EUCON-enabled control surfaces. You can also create multiple monitor profiles, making it easy to switch multichannel audio formats for the project at hand, from stereo and 7.1, up to 64-channel Dolby Atmos.
SYSTEM REQUIREMENTS
Pro Tools | MTRX II and Pro Tools | MTRX Studio can be used as a DigiLink audio interface with Pro Tools | HDX systems and/or a Thunderbolt™ audio interface with the Thunderbolt 3 option module installed.
SPECIFICATIONS
See how Pro Tools | MTRX II compares to Pro Tools | MTRX Studio to determine which interface is right for your needs.
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Pro Tools | MTRX Studio |
Pro Tools | MTRX II |
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Analog and digital I/O |
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Configurability |
Fixed I/O configuration with option for Thunderbolt 3 connectivity |
Fully customisable I/O with eight option card slots; install up to eight total analog, DigiLink, and/or digital I/O cards |
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Built-in I/O and connectivity |
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Optional I/O and connectivity (cards and modules sold separately) |
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Routing and monitoring |
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Digital crosspoint matrix (input to output routing) |
512 x 512 |
4,096 x 4,096 |
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Summing matrix with monitor profiles |
256 x 16 Monitor Groups Fold Downs Group Formats |
512 x 64 (supports full theatrical Dolby Atmos mixing) Monitor Groups Fold Downs Group Formats |
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Room calibration |
Built-in SPQ Speaker Processing, providing up to 256 filters across 16 channels. Delay management adjustable up to 300ms (200ms per monitor set and 100 per channel) |
Built-in SPQ Speaker Processing, providing up to 1,024 filters across 64 channels at 48k and 96k, scaling at higher sample rates. Delay management adjustable up to 1000ms (200ms per monitor set and 800 per channel) |
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Additional specifications |
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Supported DAWs |
Pro Tools, Logic Pro, Cubase, and other Core Audio workstations |
Pro Tools, Logic Pro, Cubase, and other Core Audio workstations |
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EUCON integration |
Yes |
Yes |
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System sync |
Internal, Word Clock and Loop Sync via BNC connectors, Dante Sync, ADAT Sync |
Word Clock/video black burst (VBB) via BNC connectors, Dante Sync, Digital Inputs |
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Supported sample rates |
44.1 kHz–192 kHz |
44.1 kHz–384 kHz |
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Chassis |
1U 19" rack-mountable unit |
2U 19" rack-mountable unit |
Please note—All digital audio format channel counts are listed at 44.1/48 kHz and are subject to standard channel count reductions at higher sample rates unless otherwise noted.
