Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern. It features a two-position contour switch to maximise attack and clarity and a low-profile design.
MAIN FEATURES
- Uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound
- Precision-engineered low-profile design features integrated preamplifier and XLR connector to maximise setup efficiency while minimising stage clutter
- Frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments
- Two-position contour switch to maximise attack and clarity depending on application – select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack
- Requires no external mounting
WHAT IS THE BETA 91A BEST SUITED TO?
The primary use of the Beta 91A is kick drums. It can also be used for other low frequency applications including piano.
Weight: 470 g
Frequency Response: 20 Hz – 20 kHz
Frequency Response: Tailored
Sensitivity: -48.50 dBV/Pa – 3.80 mV/Pa
Equivalent Selfnoise: 29,5 dB(A)
Sound Pressure: 155 dB
Transducer Type: Condenser
Polar Pattern: Halfcardioid
Switchable low cut: No
Connectors: 3 Pin XLR
Attenuator: No
Interchangeable Capsule: No
Main Functionality: Performance
Headphone Output: No
Requires Phantom Power: 11 - 52 VDC
Cartridge: Fixed