Now include a full perpetual license for Studio One Professional V7.
With the 64-channel StudioLive® 64S, PreSonus® delivers the most powerful and flexible digital mixer available for installed sound, touring, and recording, including extensive AVB networking and a full suite of integrated software.
With the 64-channel StudioLive® 64S and a full suite of integrated software, PreSonus® delivers the most powerful and flexible digital console available for installed sound, touring, and recording—and the best value. Powered by the PreSonus quad-core FLEX DSP Engine, no other mixer can match its 128-channel (64x64) USB recording, 76 mixing channels, 43 buses, and an astounding 526 processors. Features such as password-protected user profiles for restricting feature access and mixer scenes organised by project, make the StudioLive 64S ideal for installed sound. Thanks to built-in AVB networking, the StudioLive 64S integrates with stage boxes, personal monitor mixers, switches, and more. Managing 76 total inputs is easy with 32 FlexMixes and 24 DCA groups. The Fat Channel processing section offers expandable plug-ins with vintage-style EQ and compression options on every channel and output bus.
Main Features:
- The most powerful and flexible digital console available for installed sound, live sound, and recording with quad-core FLEX DSP Engine powering 526 simultaneous processors
- 32 FlexMixes (aux mixes, subgroups, or matrix mixes)
- Fully recallable with touch-sensitive motorised faders
- Main Left, Right and Mono/Center buses with per-channel mono send level and center divergence control
- Built-in AVB networking to create a complete ecosystem with PreSonus NSB stage boxes, EarMix 16M personal monitor mixers, other StudioLive Series III mixers, and the SW5E AVB switch
- Built-in 128-channel (64x64) USB interface—the most of any digital mixer on the market
- Onboard multitrack SD Card recorder with true Virtual Soundcheck
- Expandable, plug-in processing with vintage-style EQ and compression options on every channel and output bus
- 32 mic/line inputs with recallable XMAX preamps
- 33 touch-sensitive, motorised faders
- All new scene management, with scenes organised into projects with scene lock and channel safe
- Password protected user profiles enable restricting access to specific features
- FLEX FX multi-effects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses
- Channel scribble strips and input metering
- DAW Control
- ○ Advanced Studio One control integration
- ○ MCU emulation mode optimised for Logic
- ○ HUI emulation mode optimised for Pro Tools
- Complete solution: Includes UC Surface™ mix control software for macOS®, Windows®, Android™, and iPad®; Capture™ live-recording software and Studio One® Pro DAW for macOS and Windows; compatible with free QMix-UC® personal monitoring control for iPhone® and Android
- 3-year warranty
Computer system requirements:
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Mac
- macOS® 10.11 or higher (64-bit only)
- Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
Windows
- Windows® 7 x64 SP1 + platform update, Windows 8.1 x64, Windows 10 x64
- Intel Core 2 Duo (Intel Core i3 or faster recommended)
- 4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
- USB 2.0 port
- Internet connection
- Internal or external 7200 RPM storage drive highly recommended
- 30 GB hard disk space
- Monitor with 1366x768 resolution
iOS
- iOS 10 or later
- iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)
Android
- Android™ 5.0 (Lollipop) or later
- Android smartphone (QMix-UC)
- Android tablet (8-inch) with 1024x768 resolution (UC Surface)
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
Technical Specifications
|
Microphone Preamplifier |
|
|
Input Type |
XLR Female, balanced |
|
Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
|
Input Impedance |
1 kΩ |
|
THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
|
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
|
Common Mode Rejection Ratio (1 kHz at unity gain) |
65 dB |
|
Gain Control Range (±1 dB) |
0 dB to +60 dB |
|
Maximum Input Level (unity gain) |
+12 dBu |
|
Phantom Power (±2 VDC) |
48 VDC, switchable per channel |
|
Line Inputs |
|
|
Type |
¼” TRS Female, balanced |
|
Frequency Response to Main Output (at unity gain) |
20-20 kHz, ±0.5 dBu |
|
Input Impedance |
10 kΩ |
|
THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
|
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) |
94 dB |
|
Maximum Input Level |
+18 dBu |
|
Tape Inputs |
|
|
Type |
RCA Female, unbalanced (stereo pair) |
|
Maximum Input Level |
+12 dBu, ±0.5 dBu |
|
XLR Outputs |
|
|
Type |
XLR Male, balanced |
|
Maximum Output Level |
+24 dBu, ±0.5 dBu |
|
Output Impedance |
100Ω |
|
Line Outputs |
|
|
Type |
¼” TRS Female, balanced |
|
Maximum Output Level |
+18 dBu, ±0.5 dBu |
|
Output Impedance |
100Ω |
|
Tape Outputs |
|
|
Type |
RCA Female, unbalanced (stereo pair) |
|
Maximum Output Level |
+18 dBu, ±0.5 dBu |
|
Output Impedance |
100Ω |
|
Headphone Output |
|
|
Type |
¼” TRS Female, active stereo |
|
Maximum Output |
100 mW/ch. @ 60Ω load |
|
Frequency Response |
20 Hz – 20 kHz (± 0.5 dB) |
|
THD+N |
0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
|
S/N Ratio |
96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
|
System Crosstalk |
|
|
Input to Output |
-90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
|
Adjacent Channels |
-87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
|
Digital Audio and Control |
|
|
ADC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
|
DAC Dynamic Range |
115 dB (A-wtd, 48 kHz) |
|
USB Recording Port |
USB 2.0, Type-B |
|
Bluetooth™ Input |
4.1, stereo |
|
AES/EBU Output |
XLR Male |
|
Network Control Port |
RJ-45 |
|
AVB Audio Network Port |
Locking XLR Ethernet |
|
Internal Processing |
32-bit, floating point |
|
Sampling Rate |
48 kHz, 44.1 kHz |
|
A/D/A Bit Depth |
24 |
|
Reference Level for 0 dBFS |
+18 dBu |
|
Total System Latency |
1.9 ms (local routing, analog in-analog out, all processing active) |
|
Clock |
|
|
Jitter |
<20 ps RMS (20 Hz - 20 kHz) |
|
Jitter Attenuation |
>60 dB (1 ns in, 1 ps out) |
|
Power / Environmental |
|
|
Connector |
IEC |
|
Input-Voltage Range |
90 to 230 VAC (±10%) |
|
Power Requirements (continuous) |
85W |
|
Recommended Ambient Operating Temperature |
0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
|
Physical |
|
|
Height |
6.51” (165.36 mm) |
|
Width |
32.37” (822.21 mm) |
|
Depth |
22.97” (583.48 mm) |
|
Weight |
37.2 lbs. (16.9 kg) |
