The groundbreaking multi-track MADI recorder based on the original award-winning BLACKBOX Recorder design, the BBR64-MADI can capture a full 64 channels of MADI data at standard sample rates directly to Broadcast WAV files on an external USB2 drive. Double sample rate MADI recording (up to 96kHz) is also accommodated.
The recorder sports both coaxial and optical MADI connections for interfacing with any MADI equipped console or other equipment. Additionally, the BBR64-MADI caters for 56-channel legacy MADI and can record a further 8 channels of analogue (balanced line in) for capturing the audience reaction or general ambience.
The BBR64-MADI will lock to or generate word clock, as well as locking to the received MADI data stream. The MADI input is echoed direct to the output to ease system integration. In addition to the PFL bus providing both high-resolution metering and headphone monitoring, an additional “mix” feature has been added to the headphone output.
All BLACKBOX Recorders are designed and built to exacting standards with rugged construction and a suite of unique multi-track audio capture features. The choice of professional users, the BBR64-MADI multi-track MADI recorder is the solution the professional audio industry chooses and trusts. For more information, see below to download the BLACKBOX Recorder brochure, for full information on the entire BLACKBOX range.
iXML Option:
iXML support is now available for the BLACKBOX RECORDER. iXML is an open standard developed to simplify the transfer of recorded digital audio files through the post production process. Invaluable to both sound recordists and post production personnel in the film and broadcast industry, it allows for the inclusion of location sound metadata in Broadcast WAV audio files, ensuring that important information which would have traditionally been noted on the tape box does not get separated from the audio it pertains to. This includes data like Scene, Take and Notes information, which can be logged during location sound recording in the film and TV industry and subsequently utilised by post production editors.
When enabled for iXML, the BLACKBOX RECORDER allows the user to enter and edit typical iXML data fields, which are accessed via the main menu. A standard QWERTY keyboard can be connected to the recorder for rapid data entry, with most frequently used items accessible via a series of keyboard shortcuts. The iXML menu consists of three screens that enable the user to include a range of location sound metadata in Broadcast WAV files, from project names through to scene, take and notes information. The data is then embedded into the BWAV file at the end of the recording to be recalled later in the production chain.
The iXML implementation also enables the BLACKBOX RECORDER to remember different headphone monitor mixes that have been set up during the recording process. This data is stored as part of the iXML chunk in the Default Mix section, allowing the user to quickly refer to an earlier recording, for example a previous scene that may have had different monitoring requirements. It is also possible to adjust the monitor mix via standard MIDI controllers. A further benefit of the iXML implementation is the ability for the recorder to capture PolyWAV files (in addition to standard mono BWAVs). This feature enables TV and film location recordists to better serve the needs of post production facilities, or systems where audio material is ingested in single large files.
BBR64-MADI
MADI coax (BNC) in and out. MADI optical in and out. Wordclock in or out (switchable BNC). 8 x balanced analogue inputs on 25w D-type (Tascam format).
No loop through outputs. Power: 20W on 4pin mini XLR – universal PSU supplied. Other connectors as BBR1U.